Music Of The Renaissance Essay

Music And Musicians In The Renaissance

Music and Musicians in the Renaissance

If music be the food of love, play on! ~ Orsino, Twelfth Night

In the Elizabethan Era (1558-1603) and the Jacobean Era (1603-1625), there was a fondness for spectacle and pageantry. At court, trumpets and drums resounded to announce mealtimes; in town, these instruments were used by theatre troupes to herald upcoming performances (Renaissance & Baroque Society of Pittsburgh, 2003, and Folkerth, 2002). Music, then, is applied boldly and lavishly in everyday life and in drama, an imitation of life.

Musical Instruments

The major classes of musical instruments used in the High and Late Renaissance include plucked strings, bowed strings, brass, double reeds, other winds, keyboards, and percussions (McGee, 1985). Lutes, drums, and trumpets were often used, but the instruments that were especially popular during the Renaissance include the bass viol, treble viol, viola, violin, tenor sackbut, cornetto, bass sackbut, curtal, tenor shawm, bass recorder, and harpsichord (McGee, 1985).

Instrumental Music

From the Early Renaissance to the High Renaissance, there was a movement from vocal music to a combination of vocal and instrumental music (Brown, 1976). There are seven categories of instrumental music: 1) vocal music played by instruments, 2) settings of pre-existing melodies, 3) variation sets, 4) ricercars, fantasias, and canzonas, 5) preludes, preambles, and toccatas for solo instruments, 6) dance music, and 7) songs composed specifically for lute and solo voice (Brown, 1976). Italy dominated the stage for instrumental music at this time, and it was not until the last decades of the sixteenth century that English instrumental music became popular (Brown, 1976). Surviving sources indicate that the earliest printed lute music is Italian (Brown, 1976).

Performance of Music

As musical styles evolved, there is an increased use of polyphony, filled chords, and imitation (McGee, 1985). Musicians use imitation and variation as an aide memoire, because printed works were considered to be amateur music that is only played at home (Brown, 1976). Partly because of the public’s love for spectacle and decoration, ornamentation was used widely in music. The fast passagework of runs, turns, and trills helps to sustain the fragile sounds of the lute, vihuela, and harpsichord (Brown, 1976). At this time, the largest category of instrumental music based on pre-existent vocal melodies consists of liturgical organ music and plainchants (Brown, 1976). The movement to combine vocal and instrumental music had affected secular as well as sacred music: most of the hymns, antiphons, and psalm tones have sections for organ alone alternating with vocal polyphony (Brown, 1976).

Composers
The composers of this era are respected by the public, and King Henry VIII himself was a musician and composer at this time. John Dowland (1562-1626) composed lute songs,...

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During the Medieval Era, sacred music was the most common and important music of the time. Sacred music was able to maintain its importance during the Renaissance, but the style of this music took on a more polyphonic style. Most sacred music came in the forms of masses and motets, and did not require instrumental accompaniment. However, sacred music was often still accompanied by a small instrumental group or by the lute. Secular music during the Medieval Era was very uncommon, as the culture of the time only found music acceptable within the church. However, as humanism and individualism came and the Renaissance began, secular music became much more common to the everyday household. Vocal forms of secular music included madrigals, motets, and songs. Instrumental music was normally a short polyphonic piece for dancing. The polyphonic sound of the Renaissance was rather harmonious, as opposed to the monophonic sounds of medieval style. Many composers began to use the method of imitation, making music more elaborate and coherent, giving listeners a greater appreciation for the arrangement. The implementation of imitation was achieved by repeating the main theme of the work throughout different sections of the piece and orchestra. Imitation in polyphonic music became so important that it survived the Renaissance into the Baroque Era. One of the most well known sacred music masters of the Renaissance is Flemish composer

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